IV Chan
IV Chan
陳子雯
Chan’s work unsettles the body as a site of social control, desire, and transformation. Her practice resists social homogenization while exploring alternative ways of understanding the body within societal structures. Her work foregrounds taboo and repressed desires, interrogating them through the lens of psychoanalysis. Across anthropomorphic sculptures, installations, photographs, and performances, she engages with abjection, body politics, femininity, motherhood, and mythology, bringing the “problematic body” into public view, prompting viewers to reimagine the body and its psyche.
Chan’s work unsettles the body as a site of social control, desire, and transformation. Her practice resists social homogenization while exploring alternative ways of understanding the body within societal structures. Her work foregrounds taboo and repressed desires, interrogating them through the lens of psychoanalysis. Across anthropomorphic sculptures, installations, photographs, and performances, she engages with abjection, body politics, femininity, motherhood, and mythology, bringing the “problematic body” into public view, prompting viewers to reimagine the body and its psyche.
