陳子雯

Chan’s exploration of taboo, non-normative desires and abjection permeates her anthropomorphic sculptures, installations, photographs, and performances. Drawing from personal histories, memories, and fantasies, these works evoke embodied experience while engaging themes of body politics, femininity, psychoanalysis, motherhood, and mythology. By exposing the “problematic body” to public view, Chan invites alternative ways of perceiving and imagining the body and its psyche.